Tim Liddy and Lisa A. Frank: Solo Exhibitions to See

ZIA Gallery is currently presenting exhibitions featuring works by Tim Liddy and Lisa A. Frank.

Artist Tim Liddy in front of some of his works

Artist Tim Liddy in front of some of his works

A mini-retrospective of Tim Liddy’s paintings give viewers insights into directions he pursued in the process of developing a remarkable body of work. From large-scale pieces referencing art history, society, and myth,

Tim Liddy "Damocles" 53 x 48 Mixed Media on Paper graphite, latex, image transfer on paper

Tim Liddy “Damocles” 53 x 48 Mixed Media on Paper graphite, latex, image transfer on paper

Tim arrives at his dimensional paintings of games on formed metal that are garnering attention today.

Tim Liddy "Devil's Food" 18 x 12 x 1.5 enamel, silver leaf, pigment transfer on copper

Tim Liddy “Devil’s Food” 18 x 12 x 1.5 enamel, silver leaf, pigment transfer on copper

Tim Liddy "Angel Food" 18 x 12 x 1.5 enamel, silver leaf, pigment transfer on copper

Tim Liddy “Angel Food” 18 x 12 x 1.5 enamel, silver leaf, pigment transfer on copper

Tim Liddy "Circa 1966" Oil and Enamel on Copper 13 x 19

Tim Liddy “Circa 1966” Oil and Enamel on Copper 13 x 19

 

 

 

 

 

 

 

 

 

“We’ve played games throughout the history of civilization, and play is a very important part of the human experience- whether you’re kicking a ball or engaging in more intellectual play.”

Fascination

Fascination

 

Lisa A. Frank "William Morris Overheard" 27 x 36 digital photography

Lisa A. Frank “William Morris Overheard” 27 x 36 digital photograph

Lisa A. Frank is a fine art photographer composing unique, lush images from collections of photographs of nature.

Lisa A. Frank with two of her original photographs

Lisa A. Frank with two of her original photographs

Camera ready, during walks in nature, Lisa photographs elements that help to make up the patterns and forms she digitally manipulates resulting in photographs full of romanticism and wonder. “The taking of the photos and the actual making of the work is something that I love and it feels like a truly authentic part of me.”

Lisa A. Frank "In Just Spring" 36.5 x 40 Edition of 15

Lisa A. Frank “In Just Spring” 36.5 x 40 Edition of 15

Lisa A. Frank and exhibition attendee

Lisa A. Frank and exhibition attendee

Both artists kindly traveled from a considerable distance to attend the opening reception.

Tim Liddy engages a father and daughter

Tim Liddy engages a father and daughter

Tim Liddy even came in early to meet with a father and daughter, spending more than an hour talking to them. How often does the public have a chance to meet such remarkably generous artists at their level of creative practice? Thank you.

Artist Tim Liddy greeting exhibition attendees

Artist Tim Liddy greeting exhibition attendees

Tim Liddy’s work has been exhibited at venues including Art Miami/Basel, Aqua Art Miami, Dallas Art Fair, Palm Springs Art Fair among others.

Tim Liddy "circa 1986" (Ferris) Oil and Enamel on copper 13 x 19 x 1 ½

Tim Liddy “circa 1986” (Ferris) Oil and Enamel on copper 13 x 19 x 1 ½

His works have been acquired for contemporary collections across the United States, including those of Beth DeWoody and Crystal Bridges Museum of American Art among many other private collections. As well, the Hunt family, owners of the Kansas City Chiefs, commissioned a number of Liddy’s works for the Arrowhead Stadium.

Work by Lisa A. Frank

Work by Lisa A. Frank

At the University of Wisconsin-Madison where she holds an MFA in Design Studies, Lisa A. Frank is currently part of the Discovery to Product (D2P) incubator program. With its support, she is developing virtual reality content that is based on her 2D photography.

Lisa A. Frank "Columbine-The Mystery of Five Doves" 40 x 37 digital photography

Lisa A. Frank “Columbine-The Mystery of Five Doves” 40 x 37 digital photography

Using her artwork to also enhance interdisciplinary explorations, Frank was chosen to be a Senior Research Fellow at the Beckman Institute for Advanced Science and Technology at the University of Illinois Urbana-Champaign. She was the first artist/collaborator to be given this distinction. Lisa was an Evelyn Stephansson Nef Fellow in photography at MacDowell Colony.

Tim Liddy's paintings on formed copper

Tim Liddy’s paintings on formed copper

The exhibition continues through June 10th at ZIA Gallery, 548 Chestnut St. Winnetka, IL 60093 tel. 847-446-3970.

John Vlahakis Engages The Kenilworth Garden Club

“For me, photography is a moment in time that I will never forget. It is the recorded history of our lives.” Recently at ZIA Gallery, John Vlahakis spoke about his work as a photographer to creative members of The Kenilworth Garden Club.

John Vlahakis talks about his photography.

Members of The Kenilworth Garden Club listen to John Vlahakis talk about his photography.

John first became interested in photography when he was in high school. Those early years awakened a concern for the environment and a fascination with human behavior, dual paths that proved to have staying power.  Throughout college he was known to carry a camera wherever he went. Years later when he picked up photography again, John pushed ahead with a quiet passion and studied observation, diving deep into his creative process.

"Periwinkle" by John Vlahakis, 30" x 30" edition of 5.

“Periwinkle” by John Vlahakis, 30″ x 30″ edition of 5.

Today John has embraced the digital camera while treating it as he would his analog equipment: taking time to compose, waiting until the optimum second to capture the light, the movement, the image; reluctant to waste “film” on a throw-away photo.

John Vlahakis with one of his digital cameras and tripod he uses for capturing nature in movement and low light.

John Vlahakis with one of his digital cameras and tripod he uses for capturing nature in movement and low light.

"Chicago's Winter Glory" 20" x 30" by John Vlahakis edition of 5.

“Chicago’s Winter Glory” 20″ x 30″ by John Vlahakis edition of 5.

Those two early paths of interest continue to show in his work.  Today John Vlahakis is noted for his clean, subtle landscapes that envelop the viewer – and his depictions of city life and the everyday person. More of John’s city images can be seen on his recent Instagram postings at https://www.instagram.com/johnvlahakisphotography/

John Vlahakis' Instagram postings of street life.

John Vlahakis’ Instagram postings of street life.

During the evening’s presentation to the garden club John was asked, “If you could wake up anywhere to photograph, where would that be?” John replied, ” For landscape, I would wake up in Iceland in a town called Vík with the beach of black lava sand.” There one is exposed to, “rain, sleet and snow; monstrous waves and the power of nature.”

"Stormcoming" by John Vlahakis 40 x 60 edition of 2.

“Stormcoming” by John Vlahakis 40 x 60 edition of 2.

On the other hand, for street photography, “In New York, I would wake up on an overcast day, with a little misty rain and lots of people.” In the street vendor, there you see the on-going story of “the immigrant trying to make a living. Fascinating people.”

"Night Noir" by John Vlahakis 26.5" x 40" edition of 5.

“Night Noir” by John Vlahakis 26.5″ x 40″ edition of 5.

Again of nature, John recalled a visit to the south coast of Australia where he realized no one else was there. “I was blown away by the solitude.”

John Vlahakis will have a featured exhibition this coming fall at ZIA Gallery, opening Saturday, October 14th, 2017, 5-7pm. Here he will exhibit work from his boxed portfolio project titled “Own Nature.” The introductory viewing was at AQUA Art Miami Basel in December where his work garnered many accolades. Some of the members of the garden club were also treated to a viewing.

"Own Nature" by John Vlahakis edition of 10

“Own Nature” by John Vlahakis edition of 10

The Creative World, and Transformative Experience of Anne Hughes’ Art by Wolfgang Krol

Anne Hughes' "Golden Circle" 44 x 30 soft pastel

Anne Hughes’ “Golden Circle” 44 x 30 soft pastel

When Marshal McLuhan coined the phrase “The medium is the message” little did he know that there was an artist in the making by the name of Anne Hughes who would dedicate her life and creativity to intuitively making the medium and the message come alive through her art. In a strange and uncanny way, Anne would become a benevolent messenger of an artistic “stargate” that opens the door to other worlds and experiences that connect us through creativity, imagination, reality, fantasy, dreams, play, curiosity, magic, hope, joy, and wonderment. Anne transmits all of this with humility, and dedicated commitment through her art, and through the intuitive ideas she explores through various physical materials with highly skillful artistic techniques, that inevitably takes the viewer through numerous, and multiple visual, conceptual, and transformative experiences in each and every work.

Anne Hughes "Natural Worlds" 43.5 x 29.75, soft pastel

Anne Hughes “Natural Worlds” 43.5 x 29.75, soft pastel

Many individuals are concerned, and to some degree, obsessed with definitions, and labels in art, related to realism, abstract, modern, post modern, etc. In the end all this labeling is nice for those who are more concerned with the history of art than with a timeless experience, communicating, interacting, and experiencing the art itself. If you are willing to forgo the labels, and are open to just experiencing the art, Anne will take you on a visual and emotional journey that will be remembered for a very long time. For those individuals who are fortunate enough to own one or more of Anne’s works, they will be able to experience this visual journey on a daily ongoing basis. The wonder of Anne’s magical creativity is that every time one engages with her work one experiences something new and enlightening. Just when we think we already know a work, we begin to see new relationships in the images, or gain new insights into her creative mind, or into our reality, and perception.

Anne Hughes "Reading Time" 12" x 12" oil on panel

Anne Hughes “Reading Time” 12″ x 12″ oil on panel

Anne’s work is about experiencing. Everyone who engages with her work, and imagery may see something similar, but will not experience things in the same way, because we are all different, and experience things uniquely. We may see playful images, images that seem to be out of place, out of time, or out of reality as we know it. We may see images that interact in a space that is foreign to their natural environment: like a “fish out of water”. Anne transforms the natural environment and brings all environments together into one space, or frame. This may be hard to imagine in reality, but Anne’s work transforms reality, takes us on an imaginary journey, and while we are on this journey she shows us a new reality, a new way of seeing with many surprises, and new answers to the visual and conceptual questions that we may have. Anne’s work is not about linear logic, it is about a multi dimensional experience that redefines logic, reality, space, perception, and allows us to engage in new questions, experiences, and perceive new “logics”.

Anne Hughes, "Dark Night" soft pastel

Anne Hughes, “Dark Night” soft pastel

To really experience Anne’s work, or other work, for that matter, it must be seen in its actual physical configuration, and not in a photo, or on a computer, iPad, or cell phone screen; the so-called new social media “art gallery”. The real actual size, media, materials, configuration etc., is what brings her art works to life. When we approach a work, we already start our experience, and engagement.

Detail of "The Golden Circle" by Anne Hughes

Detail of “The Golden Circle” by Anne Hughes

As we move closer, our experience, and perception start to change, transform through the interaction of the colors, images, materials, and what we personally bring to the work.

Detail of "The Golden Circle" by Anne Hughes

Detail of “The Golden Circle” by Anne Hughes

Then, when we stop in front of Anne’s work, and journey visually through all the materials and imagery, we begin to see and experience the magical tour that Anne is taking us on.

Detail of "The Golden Circle" by Anne Hughes

Detail of “The Golden Circle” by Anne Hughes

We, as the viewer, have to find the correct distance or position from the work so our personal experience can take place. Even moving to the right or left of her work changes what we see and experience. In some art works this happened by default. In Anne’s work the changes in perception is by design.

Detail of "The Golden Circle" by Anne Hughes

Detail of “The Golden Circle” by Anne Hughes

Looking at her work on a computer or other technical device, for that matter, will NEVER give the true impact or power of the work. The character of the materials used ie. paper, wood, canvas, cardboard etc., the colors added, the strokes of the brush, pencil, pastels, etc., interacting with each other, all bring the work to life, transforming the original material(s) into a new identity opening the mind of the viewer giving new insights into ones perception and reality.

Detail of "The Golden Circle" by Anne Hughes

Detail of “The Golden Circle” by Anne Hughes

The phrase “seeing is believing” is very true after seeing the creative work of Anne Hughes; believing takes on a new meaning. As with all art we have to approach it with an open mind. We have to leave our prejudices, and biases at home, as much as possible, and experience each work on it’s own terms and merit /relationship as if we were talking to, or engaged with the artist personally; and before we know it we have developed a new friendship that will last a lifetime.

"Wish List" by Anne Hughes

“Wish List” by Anne Hughes

Those that are fortunate to see Anne Hughes’ work will experience things, like they never have before. But it must be remembered like all relationships, it takes time, engagement, and nurturing. However, even if one does not have the time to develop a “real friendship” or relationship with Anne’s work, just simply passing in front of a work, one just begins to feel as if Anne is stretching out her hand in a welcoming, friendly gesture encouraging us to engage in the exhilarating experience with her art.

Anne Hughes' "Iceland Inspired" 11 3/8" x 11 3/8", soft pastel

Anne Hughes’ “Iceland Inspired” 11 3/8″ x 11 3/8″, soft pastel

So welcome all to the creative world, and transformative experience of the unique art of Anne Hughes, and be pleasantly surprised, and elated with the message transformed by the media; and for all the above, Anne Hughes deserves to be recognized and acknowledged in a category among the best, and most creative artists.

Wolfgang Krol, Associate Professor, Studio Arts (retired)

Concordia University, Montreal, Que., Canada