Not What You Expect

The Floral Show (not what you expect) now at ZIA Gallery

The Floral Show (not what you expect) now at ZIA Gallery

The exhibition “The Floral Show (not what you expect)” is in full swing at ZIA Gallery, bringing together artists of such talents and imagination evoking the wonder of our natural world. This exhibition follows “The Elephant in the Room” which centered on elephants in art. Now artists soar toward spring with uplifting color and invention derived from inspiration of flowering plants.

Kevin Veara's Whip-poor-wills and Mary Burke's Natural Cycles - color, movement and change

Kevin Veara’s Whip-poor-wills and Mary Burke’s Natural Cycles – color, movement and change

The late scientist and essayist Loren Eiseley revitalizes appreciation through his essay “How Flowers Changed the World.” The journey of flowering plants resulted, no less, in the emergence of us. Angiospems have developed such remarkable diversity of form, color and mechanisms to travel. Yet, we still have much to discover, learn, and to rouse our curiosity.

The exhibition begins "The Floral Show (not what you expect)"

The exhibition begins “The Floral Show (not what you expect)”

Visual artists, too, through flourishing creativity, re-energize the words “floral show.” They are stimulated and fascinated both directly and indirectly, as can be seen through the unexpected universes of Mary Burke, Melissa Jay Craig, Lisa A. Frank, Karina Noel Hean, Anne Hughes, Ted Preuss, Jonathan Ricci, Fumiko Toda, John Vlahakis, Carl Wilen and invited artists Kevin Veara and Phil Ponce.

Phil Ponce takes papel picado techniques to the max with his gorgeous "Insectos."

Phil Ponce takes papel picado techniques to the max with his gorgeous “Insectos.”

The exhibition includes beautifully executed artwork by guest artist Phil Ponce (host of WTTW’s Chicago Tonight) who takes inspiration from the traditional Mexican folk art technique of papel picado. To create his interconnected labyrinths of nature, Phil replaces tissue paper with durable black tyvek and represents insects native to Illinois – an ecosystem of plants and insects.

Kevin Veara's "Northern Flicker" surrounded by "unknown climbing asters"

Kevin Veara’s “Northern Flicker” surrounded by “unknown climbing asters”

Kevin Veara’s visual ecosystem combines unusually patterned birds, flowers and insects in striking scale and color combinations. Melissa Jay Craig contributes her amazingly inventive handmade paper sculptural pieces, some inspired by looking at the lacy cellular patterns of a stem such as Bloodroot, others by seeds.

Melissa Jay Craig's "Protector" -only Melissa could create such a sculpture!

Melissa Jay Craig’s “Protector” -only Melissa could create such a sculpture!

There is always a twist (or two or three) in her thought-provoking pieces. Her installation of (S)edition, sculptural book/mushrooms, growing up the gallery wall projects a sense of humor with much to engage and challenge.

Melissa Jay Craig's (S)Edition to left of Toda's diptych

Melissa Jay Craig’s (S)Edition to left of Toda’s diptych

John Vlahakis' stunning "Blue Velvet"

John Vlahakis’ stunning “Blue Velvet”

John Vlahakis photograph “Blue Velvet” mesmerizes as it saturates the eye with blue and yellow.

Jonathan Ricci's "Botanical 1 : Spike and Alice"

Jonathan Ricci’s “Botanical 1 : Spike and Alice”

Through his fanciful “Botanical 1: Spike and Alice” New Jersey artist Jonathan Ricci makes reference to the excitement surrounding a Chicago Botanic Gardens’ phenomenon that turned into an amusing story.

Mary Burke's "Summer Day," 12 x 36, acrylic, ink and other on canvas

Mary Burke’s “Summer Day,” 12 x 36, acrylic, ink and other on canvas

Mary Burke’s paintings reveal her love of nature where blooms are often the only representational elements of her abstractions.

Lisa Frank's Frank In the Shadow of Butterflies 40 x 40.

Lisa Frank’s Frank In the Shadow of Butterflies 40 x 40.

Lisa A. Frank uses her skill at layering her digital photographs to create lush compositions, while Fumiko Toda dazzles with mixed-media paintings. She holds dear childhood explorations in nature, growing up in Japan.

Blue Sky II part of a diptych by Fumiko Toda, 48 x 30.

Blue Sky II part of a diptych by Fumiko Toda, 48 x 30.

Through choice of materials, color and expression, Fumiko’s paintings evoke that curiosity of a child on an adventure of discovery in the wide out of doors.

Ted Preuss prints using platinum palladium on vellum for his "Vase." More features to be seen!

Ted Preuss prints using platinum palladium on vellum for his “Vase.” More features to be seen!

Ted Preuss uses historic photographic techniques on subtle imagery with new methods of presentation.

Carl Wilen's Almoro Castle 12 x 14.75 Watercolor Ink Graphite Cut Paper

Carl Wilen’s Almoro Castle 12 x 14.75 Watercolor Ink Graphite Cut Paper

Carl Wilen has often mentioned the fascination of flowers which he enjoys finding reason to include in his detailed wry, surreal paintings.

Karina Hean, "Field Notes V," Mixed media on vellum, 11x17

Karina Hean, “Field Notes V,” Mixed media on vellum, 11×17

Karina Noel Hean grew up by the Chesapeake Bay taking inspiration from nature that she would later reference in sophisticated abstractions. Anne Hughes expresses wonder and mystery using soft pastel in an unconventional manner. Much to discover at this “Floral Show” and not what you expect!

Anne Hughes' "Migrations" 36 x 24 x 1, soft pastel on layered paper

Anne Hughes’ “Migrations” 36 x 24 x 1, soft pastel on layered paper

The Floral Show – not what you expect runs through April 7, 2018 at ZIA Gallery, 548 Chestnut St., Winnetka, IL.

Part 2: Back to Back Exhibitions… “The Floral Show – not what you expect”

The second exhibition to celebrate the wonders of our natural world is The Floral Show… not what you expect.

View of The Floral Show showing works by Fumiko Toda, Karina Hean, Melissa Jay Craig, Anne Hughes, Phil Ponce, Melissa Jay Craig and Carl Wilen

View of The Floral Show showing works by Fumiko Toda, Karina Hean, Melissa Jay Craig, Anne Hughes, Phil Ponce, Melissa Jay Craig and Carl Wilen

How can it be The Floral Show suggests something so seemingly common and staid, we no longer grasp the amazing transformation of a world that specifically resulted from the evolution of flowering plants?

Works by Phil Ponce, Melissa Jay Craig and Fumiko Toda

Works by Phil Ponce, Melissa Jay Craig and Fumiko Toda

The late scientist and essayist Loren Eiseley revitalizes appreciation through his essay “How Flowers Changed the World.”

View of works by Melissa Jay Craig, Karina Hean, and Jonathan Ricci in the exhibition "The Floral Show - not what you expect"

View of works by Melissa Jay Craig, Karina Hean, and Jonathan Ricci in the exhibition “The Floral Show – not what you expect”

The journey of flowering plants resulted, no less, in the emergence of us.

Kevin Veara's Exult 10, Whip-poor-will

Kevin Veara’s Exult 10, Whip-poor-will

Angiospems have developed such remarkable diversity of form, color and mechanisms to travel. We still have much to discover, learn, and to rouse our curiosity.

View of works by John Vlahakis, Jonathan Ricci, Lisa A. Frank and Anne Hughes.

View of works by John Vlahakis, Jonathan Ricci, Lisa A. Frank and Anne Hughes.

Visual artists, too, through flourishing creativity, re-energize the words “floral show.”

Mary Burke's triptych of paintings on shaped wood "Natural Cycles," allowing variations in placement.

Mary Burke’s triptych of paintings on shaped wood “Natural Cycles,” allowing variations in placement.

They are stimulated and fascinated both directly and indirectly, as can be seen through the unexpected universes of Mary Burke, Melissa Jay Craig, Lisa A. Frank, Karina Noel Hean, Anne Hughes, Ted Preuss, Jonathan Ricci, Fumiko Toda, John Vlahakis, Carl Wilen and invited artists Kevin Veara and Phil Ponce. The Floral Show – not what you expect runs through April 7, 2018 at ZIA Gallery, 548 Chestnut St., Winnetka, IL.

"The Floral Show" (not what you expect!) runs Saturday March 3 - Saturday, April 7, 2017.

“The Floral Show” (not what you expect!) runs Saturday March 3 – Saturday, April 7, 2017.

Fumiko Toda, Mary Burke, 

Jonathan Ricci, Melissa Jay Craig, Lisa A. Frank, 

Carl Wilen, John Vlahakis, 

Kevin Veara, Karina Hean, 

Ted Preuss, Anne Hughes and Phil Ponce

Part One: Back to back exhibitions… “The Elephant in the Room”

Back to back exhibitions at ZIA Gallery celebrate the wonder of our natural world.01-20-2018 Postcard copyfb

The exhibition “The Elephant in the Room” was conceived slowly over the past few years as ZIA Gallery began to notice a number of artists making reference to elephants in their works. One of the first artists was Mary Burke who subtly included a phrase along with a small sketch in her abstract painting “Natural Order.”

Mary Burke, Natural Order, 36x48, Acrylic Graphite on Canvas

Mary Burke, Natural Order, 36×48, Acrylic Graphite on Canvas

More elephants appeared in a number of Fumiko Toda’s paintings as part of the magic of her world.

Fumiko Toda, "Expectation" 47x 39 Mixed media on canvas

Fumiko Toda, “Expectation” 47x 39 Mixed media on canvas

Then a sequin elephant served as a formative element in a collage and mixed media miniature “Elephant Notes” by Anne Hughes.

Anne Hughes, "Elephant Notes" 5" x 5" pastel, sequin, acrylic, found object

Anne Hughes, “Elephant Notes” 5″ x 5″ pastel, sequin, acrylic, found object

Elephants are clearly on the minds of artists.

Anne Hughes, "Of the Garden" 5" x 5" soft pastel

Anne Hughes, “Of the Garden” 5″ x 5″ soft pastel

“The Elephant in the Room” opened January 20th with contributions by Brian McDonald, Preston Jackson, Jonathan Ricci, Bob Krist; in addition to more works by Mary Burke, Anne Hughes and Fumiko Toda.

Mary Burke, "Never Too Many" 21x21 Acrylic, crayon and other on paper

Mary Burke, “Never Too Many” 21×21 Acrylic, crayon and other on paper

In his “Box Office Beasts” Brian McDonald layers color and text referencing graffiti, pop and painterly abstraction while reflecting a thought-provoking, human-centric focus even as other animals are invoked. Brian peppers his work with often, overlooked details.

Brian McDonald, "Box Office Beasts" Mixed media painting and collage on paper 25" x 21"

Brian McDonald, “Box Office Beasts” Mixed media painting and collage on paper 25″ x 21″

As the exhibition neared, it came to ZIA’s attention that noted Chicago sculptor Preston Jackson also created passionate and wonderfully expressive paintings of elephants.

Preston Jackson, "African Profile" 36 x 48 Acrylic on Canvas

Preston Jackson, “African Profile” 36 x 48 Acrylic on Canvas

ZIA Gallery is pleased that Preston accepted the invitation to participate. His work contributes another direction of emotive, elephant-inspired artwork.

Preston Jackson's Say Goodbye, 60 x 48, Acrylic on canvas

Preston Jackson’s Say Goodbye, 60 x 48, Acrylic on canvas

Over the past number of years Jonathan Ricci has developed a colorful body of mixed media paintings with collaged elements cut from maps and dressmakers patterns. Often birds arise in his works adding to interpretations suggesting freedom, travel and exploration.

Jonathan Ricci, "Elephant and the Moon" 18 x 24 Acrylic and collage

Jonathan Ricci, “Elephant and the Moon” 18 x 24 Acrylic and collage

Rhythmic pattern and color combinations enhance the impulse to relish in spontaneity.

Jonathan Ricci, "Elephant Summit" 18" x 24" Acrylic and Collage on canvas

Jonathan Ricci, “Elephant Summit” 18″ x 24″ Acrylic and Collage on canvas

Jonathan’s expressive tendencies spill, with ease, into paintings where elephants seamlessly join the mix, appearing at once regal and playful, and always journeying on.

Jonathan Ricci, "Elephant C" 26 1/8 x 28, Acrylic and Collage

Jonathan Ricci, “Elephant C” 26 1/8 x 28, Acrylic and Collage

Bob Krist, "Elephant Terraces" 20 x 30 Infrared Photography

Bob Krist, “Elephant Terraces” 20 x 30 Infrared Photography

Through infrared photography Bob Krist captures a sense of mystery and a silent awe-inspiring curiosity surrounding stone remains of Elephant Terraces containing hints of detailed carvings crumbling over time and obscured by moss. In an area adjoining Angkor Wat, in Cambodia, the thousand-foot-long Elephant Terrace served as the base of Khmer king’s audience pavilions and reviewing stands.

Fascination for the elephant transcends time.

Anne Hughes "Elephant Dreams" Soft pastel, cut paper, acrylic, 26" x 28.5"

Anne Hughes “Elephant Dreams” Soft pastel, cut paper, acrylic, 26″ x 28.5″

While “The Elephant in the Room” is leaving, for now, a new exhibition arrives March 3, 2018: The Floral Show (not what you expect!). Invited artists Kevin Veara and Phil Ponce join ZIA Gallery artists.

Fumiko Toda "Meet Again" 30 x 22, etchings and chine collé

Fumiko Toda “Meet Again” 30 x 22, etchings and chine collé

More on this exhibition coming up in Part II. Meanwhile, ponder how it can be – that in this era, “The Floral Show” can suggest something so seemingly common and staid, we no longer grasp the amazing transformation of a world that specifically resulted from the evolution of flowering plants!? See you at The Floral Show, March 3 – April 7, 2018, Tuesday through Saturday, 10 – 5 PM and by appointment, ZIA Gallery, 548 Chestnut St., Winnetka, IL, 60093. The artworks will re-energize words, minds and spirits!

"The Floral Show" (not what you expect!) runs Saturday March 3 - Saturday, April 7, 2017.

“The Floral Show” (not what you expect!) runs Saturday March 3 – Saturday, April 7, 2018 at ZIA Gallery.

Complementary Exhibitions of Mary Burke’s new paintings and Clyde Butcher’s B+W Photography

Mary Burke with her paintings "Garden Shapes" and "Organic Rhythms"

Mary Burke with her paintings “Garden Shapes” and “Organic Rhythms”

The art season has begun with Art Expo and gallery openings. The latest event at ZIA Gallery introduces Mary Burke’s new paintings, fresh and vibrant abstractions with references to the physicality of paint and the endless rich variations of marks and gestures.

"Limestone Layer" by Mary Burke, 60 x 40 Acrylic

“Limestone Layer” by Mary Burke, 60 x 40 Acrylic

Mary says of her work, “Formally, my work manifests the play of design elements which are created through a combination of accidental and intentional marks. I love the paint to entertain me, and then I respond. I work expressively with line, intermingling non-figurative, gestural marks with those that reference plants and flowers.”

"Floral Deconstruct" by Mary Burke, Acrylic and Ink on Panel, 24 x 18

“Floral Deconstruct” by Mary Burke, Acrylic and Ink on Panel, 24 x 18

Inherent in her work is a fascination with nature’s complexities. She loves to experiment branching off with her painterly explorations in a variety of directions, expanding her vocabulary of forms and color.

"Mingled Patterns" 60 x 48, acrylic on canvas by Mary Burke

“Mingled Patterns” 60 x 48, acrylic on canvas by Mary Burke

At the core, however, is her recognizable self-expression. Chicago native Mary Burke now makes her studio in the woods of southwest Michigan.

Clyde Butcher at ZIA Gallery

Clyde Butcher on view at ZIA Gallery through October 7, 2017

The National Parks inform the complementary exhibition of black and white, mostly, silver gelatin photographs by renowned artist Clyde Butcher. The exhibition shows his passion for nature and the richness of the land.

Clyde Butcher's "Horseshoe Bend 3"

Clyde Butcher’s “Horseshoe Bend 3”

Clyde has captured the very essence of rewards offered by our unique park system. His images serve as ambassadors making the case on behalf of these landscapes themselves.

"Buffalo" by Clyde Butcher

“Buffalo” by Clyde Butcher

Fifty years in the making, this collection of sensitive photographs helps to celebrate our national heritage and the places that tell the story of who we are and who we hope to be in perpetuity.

"Foggy Forest 1" by Clyde Butcher

“Foggy Forest 1” by Clyde Butcher

Clyde has chosen to compile a remarkable body of black and white, mostly, silver gelatin prints to celebrate the 100th anniversary of our National Parks. ZIA Gallery is pleased to introduce to lovers of nature and fine photography of the Chicago area, this stunning tribute.

 "Many Glacier 1" by Clyde Butcher 22 x 22

“Many Glacier 1” by Clyde Butcher 22 x 22

At the time of the exhibition opening Clyde Butcher was hunkered down to stave off the forces of Hurricane Irma. Thankfully, all are well and cleanup is in progress. Over the years Clyde Butcher has become known for his efforts in bringing forth the wonders of the Everglades and the importance of their preservation.

Clyde Butcher's "Little Butternut Key" 37 x 51 Silver Gelatin

Clyde Butcher’s “Little Butternut Key” 37 x 51 Silver Gelatin

Award-winning filmmaker Ken Burns states, “Clyde Butcher’s remarkable photographs give us an access to nature we rarely see or experience. They not only reveal the intimate and majestic beauty of nature, but they also remind us of the abiding kinship we mortals share when we work together to preserve these magnificent places. Butcher’s art is a national treasure.”

Clyde Butcher's "Saguaro 1 Arizona" 26 x 30 Silver Gelatin

Clyde Butcher’s “Saguaro 1 Arizona” 26 x 30 Silver Gelatin

The exhibitions continue at ZIA Gallery through October 7th, 548 Chestnut St., Winnetka, IL 60093

www.ZIAgallery.net

Clyde Butcher's "HawaIi Falls"

Clyde Butcher’s “HawaIi Falls”