Not What You Expect

The Floral Show (not what you expect) now at ZIA Gallery

The Floral Show (not what you expect) now at ZIA Gallery

The exhibition “The Floral Show (not what you expect)” is in full swing at ZIA Gallery, bringing together artists of such talents and imagination evoking the wonder of our natural world. This exhibition follows “The Elephant in the Room” which centered on elephants in art. Now artists soar toward spring with uplifting color and invention derived from inspiration of flowering plants.

Kevin Veara's Whip-poor-wills and Mary Burke's Natural Cycles - color, movement and change

Kevin Veara’s Whip-poor-wills and Mary Burke’s Natural Cycles – color, movement and change

The late scientist and essayist Loren Eiseley revitalizes appreciation through his essay “How Flowers Changed the World.” The journey of flowering plants resulted, no less, in the emergence of us. Angiospems have developed such remarkable diversity of form, color and mechanisms to travel. Yet, we still have much to discover, learn, and to rouse our curiosity.

The exhibition begins "The Floral Show (not what you expect)"

The exhibition begins “The Floral Show (not what you expect)”

Visual artists, too, through flourishing creativity, re-energize the words “floral show.” They are stimulated and fascinated both directly and indirectly, as can be seen through the unexpected universes of Mary Burke, Melissa Jay Craig, Lisa A. Frank, Karina Noel Hean, Anne Hughes, Ted Preuss, Jonathan Ricci, Fumiko Toda, John Vlahakis, Carl Wilen and invited artists Kevin Veara and Phil Ponce.

Phil Ponce takes papel picado techniques to the max with his gorgeous "Insectos."

Phil Ponce takes papel picado techniques to the max with his gorgeous “Insectos.”

The exhibition includes beautifully executed artwork by guest artist Phil Ponce (host of WTTW’s Chicago Tonight) who takes inspiration from the traditional Mexican folk art technique of papel picado. To create his interconnected labyrinths of nature, Phil replaces tissue paper with durable black tyvek and represents insects native to Illinois – an ecosystem of plants and insects.

Kevin Veara's "Northern Flicker" surrounded by "unknown climbing asters"

Kevin Veara’s “Northern Flicker” surrounded by “unknown climbing asters”

Kevin Veara’s visual ecosystem combines unusually patterned birds, flowers and insects in striking scale and color combinations. Melissa Jay Craig contributes her amazingly inventive handmade paper sculptural pieces, some inspired by looking at the lacy cellular patterns of a stem such as Bloodroot, others by seeds.

Melissa Jay Craig's "Protector" -only Melissa could create such a sculpture!

Melissa Jay Craig’s “Protector” -only Melissa could create such a sculpture!

There is always a twist (or two or three) in her thought-provoking pieces. Her installation of (S)edition, sculptural book/mushrooms, growing up the gallery wall projects a sense of humor with much to engage and challenge.

Melissa Jay Craig's (S)Edition to left of Toda's diptych

Melissa Jay Craig’s (S)Edition to left of Toda’s diptych

John Vlahakis' stunning "Blue Velvet"

John Vlahakis’ stunning “Blue Velvet”

John Vlahakis photograph “Blue Velvet” mesmerizes as it saturates the eye with blue and yellow.

Jonathan Ricci's "Botanical 1 : Spike and Alice"

Jonathan Ricci’s “Botanical 1 : Spike and Alice”

Through his fanciful “Botanical 1: Spike and Alice” New Jersey artist Jonathan Ricci makes reference to the excitement surrounding a Chicago Botanic Gardens’ phenomenon that turned into an amusing story.

Mary Burke's "Summer Day," 12 x 36, acrylic, ink and other on canvas

Mary Burke’s “Summer Day,” 12 x 36, acrylic, ink and other on canvas

Mary Burke’s paintings reveal her love of nature where blooms are often the only representational elements of her abstractions.

Lisa Frank's Frank In the Shadow of Butterflies 40 x 40.

Lisa Frank’s Frank In the Shadow of Butterflies 40 x 40.

Lisa A. Frank uses her skill at layering her digital photographs to create lush compositions, while Fumiko Toda dazzles with mixed-media paintings. She holds dear childhood explorations in nature, growing up in Japan.

Blue Sky II part of a diptych by Fumiko Toda, 48 x 30.

Blue Sky II part of a diptych by Fumiko Toda, 48 x 30.

Through choice of materials, color and expression, Fumiko’s paintings evoke that curiosity of a child on an adventure of discovery in the wide out of doors.

Ted Preuss prints using platinum palladium on vellum for his "Vase." More features to be seen!

Ted Preuss prints using platinum palladium on vellum for his “Vase.” More features to be seen!

Ted Preuss uses historic photographic techniques on subtle imagery with new methods of presentation.

Carl Wilen's Almoro Castle 12 x 14.75 Watercolor Ink Graphite Cut Paper

Carl Wilen’s Almoro Castle 12 x 14.75 Watercolor Ink Graphite Cut Paper

Carl Wilen has often mentioned the fascination of flowers which he enjoys finding reason to include in his detailed wry, surreal paintings.

Karina Hean, "Field Notes V," Mixed media on vellum, 11x17

Karina Hean, “Field Notes V,” Mixed media on vellum, 11×17

Karina Noel Hean grew up by the Chesapeake Bay taking inspiration from nature that she would later reference in sophisticated abstractions. Anne Hughes expresses wonder and mystery using soft pastel in an unconventional manner. Much to discover at this “Floral Show” and not what you expect!

Anne Hughes' "Migrations" 36 x 24 x 1, soft pastel on layered paper

Anne Hughes’ “Migrations” 36 x 24 x 1, soft pastel on layered paper

The Floral Show – not what you expect runs through April 7, 2018 at ZIA Gallery, 548 Chestnut St., Winnetka, IL.

In the Midst of January, Art Transports

Now that the holiday season is over, come enjoy an afternoon of art and refreshments on Saturday, January 16, 1-5pm at ZIA Gallery. Allow yourself to be sensually, emotionally and intellectually transported.

A variety of ever-changing art at ZIA Gallery.

A variety of ever-changing art at ZIA Gallery.

2016 begins with an ever-changing exhibition including works by all 25 gallery and thirteen invited artists of varying disciplines and styles.

"Shoreline" is one of Beverly Zawitkoski's new acrylic paintings on mylar.

“Shoreline” is one of Beverly Zawitkoski’s new acrylic paintings on mylar.

New paintings by Beverly Zawitkoski and photographs by John Vlahakis have been added.

John Vlahakis' "Night Noir" is one of his latest photographs.

John Vlahakis’ “Night Noir” is one of his latest photographs.

Lisa A. Frank's "These I Sing In Spring," digital photography

Lisa A. Frank’s “These I Sing In Spring,” digital photography

As admirers carry away artworks, more works arrive, ready to be discovered.  A stunning garden of delight by Lisa A. Frank goes out the door and an equally intriguing photograph comes on view.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Many visitors will be disappointed that one Mary Burke they were considering has found its home.

Mary Burke's 48" x 48"  "Uplift" on right. Original works on paper on left.

Mary Burke’s 48″ x 48″ “Uplift” on right. Original works on paper on left.

Therefore, take note, follow through with the others being circled before those, too, are gone.

The remarkable Tim Liddy who is busy with a steady stream of important commissions, has left us three power-works of trompe l’oeil, sculptural painting.

"circa 1966" is one of Tim Liddy's trompe l'oeil paintings on formed copper.

“circa 1966” is one of Tim Liddy’s trompe l’oeil paintings on formed copper.

His star continues to rise, and we congratulate him on his accomplishments.

Melissa Jay Craig’s tiny handmade paper and steel wire sculptures are disappearing fast.

Melissa Jay Craig's "Luminal (Stage Two)" miniature sculptures.

Melissa Jay Craig’s “Luminal (Stage Two)” miniature sculptures.

Their color and amusing forms stimulate the imagination, as do her other works inspired by cellular patterns of plant forms. Melissa’s (S) Edition made the best of 2015 top ten choices by My Modern Met. Instead of just seeing the work all over the online-world (the book-arts works have gone viral and re-blogged with commentary in many languages throughout the world), you can see them in actuality…remember that? Actual vs. virtual?  From plant to pulp to molded, cast and dyed sculptural form, these artworks are handmade by Melissa to go in a real space. Dare to make your space special with unique expression.

Top: Melissa Jay Craig's hand made paper forms based on cellular patterns of cut-through of stems. Below: Lisa A. Frank's stunning digital photograph "Feared Loved"

Top: Melissa Jay Craig’s hand made paper forms based on cellular patterns of cut-through of stems. Below: Lisa A. Frank’s stunning digital photograph “Feared Loved”

Master of diverse photographic processes, Ted Preuss continues to sensitively explore still life, nature and the female figure. New to the gallery is photographer Kimberly Schneider displaying intimate, romantic black and whites of nature. ZIA Gallery is pleased to announce that artist Michael Cutlip has decided to continue sharing some of his remarkable mixed media paintings and collage with the Chicago public while other works head to L.A. Jonathan Ricci has a variety of his colorful paintings, both large and small, on paper, stretched and un-stretched canvas, along with his distinctive ceramic birds. …And there are many other gallery artists’ works on display showing the eclectic processes and expressions embraced by the gallery and its artists.

Gallery artist Kathy Weaver with her gouache on paper.

Gallery artist Kathy Weaver with her gouache on paper.

The exhibition also includes thirteen invited artists.

Ceramicist: Jacqui Worden (Her bowls reflect a threesome: functional, beautiful and affordable.)

Earrings by Diana Ferguson and Ceramic Vase by Jacqui Worden.

Earrings by Diana Ferguson and Ceramic Vase by Jacqui Worden.

Chicago Fashion Designer: Alice Berry  (She’s back! And her lovely scarves and silk-screened shawls are just the ticket to spark up a winter’s day.)

Designer Alice Berry with her signature scarves and shawls.

Designer Alice Berry with her signature scarves and shawls.

Chicago muralist Anne Farley Gaines contributes an imaginative screen.

Two sided screen by Anne Farley Gaines. Opposite side not shown. See it in the gallery.

Two sided screen by Anne Farley Gaines. Opposite side not shown. See it in the gallery.

Expressionist painter Bill Klatte adds his personal flair.

Giclées by Mark McMahon (expressing city life and sports with high quality, signed reproductions.)

Jewelers: Diana Ferguson, Terry Ross, Amy Taylor and Lisa Williams -each with her own personal vision. Definitely, here is something special for every taste.

A variety of small works by Jeweler Amy Taylor, Ceramic bowls and vases by Jacqui Worden, original works on paper by Mary Burke, necklace by Diana Ferguson, Ceramic birds by Jonathan Ricci.

A variety of small works by Jeweler Amy Taylor, Ceramic bowls and vases by Jacqui Worden, original works on paper by Mary Burke, necklace by Diana Ferguson, Ceramic birds by Jonathan Ricci.

Muralist and Street Artist: Joseph “Sentrock” Perez (What a joy to meet this personable street artist with a touching and inspirational message. Don’t miss!)

Joseph Perez (Sentrock) 's work on paper "Peace Squad"

Joseph Perez (Sentrock) ‘s work on paper “Peace Squad”

Diane Rakocy in front of one of her paintings.

Diane Rakocy in front of one of her paintings.

Painter: Diane Rakocy (She brings her love of color and paint to put the vibrancy in Chicago.)

Photographer: Barry Cain captures the unexpected meeting of two lions and an enjoyment of the natural world.

Barry Cain with his photograph of lions. Ted Preuss' small figure photograph below.

Barry Cain with his photograph of lions. Ted Preuss’ small figure photograph below.

Printmaker: Michael Bond conjures mood and light through drypoint, aquatint and “etching.”

Michael Bond's "Rainy Day Michigan Ave" Drypoint and aquatint.

Michael Bond’s “Rainy Day Michigan Ave” Drypoint and aquatint.

So much to see and appreciate in this confluence of varied genres by talented artists. The exhibition is now in progress and runs through January 30th Tuesday – Saturday 10-5pm at ZIA Gallery, 548 Chestnut St. Winnetka, IL.

ZIA Gallery

ZIA Gallery

Of Marvel And Mystery: The Art of Anne Hughes

HughesMigrations36x24x1PastelAndCutandTornPaper

“Migrations” 36x24x6 Pastel on cut or torn paper © Anne Hughes

By Shannon Gallagher

Anne Hughes’ artwork embodies a sense of marvel and mystery. The viewer is left awestruck by her imaginative 2d and 3d works, which use a rich color palette and employ a variety of mark-making techniques. Hughes describes the process of working on a piece of art as meditative. “That’s what I feel when I’m absorbed in my work. I get lost in the act and watching it evolve. I lose all sense of time,” she said. “I never want to be pinned into one way of working,” she went on. “I like the idea of being able to break so-called rules, that it is possible to resolve difficulties and make something work. Challenge is enjoyable. If, in the end, I achieve a sense of wonder and mystery, of being surprised, then I am happy.”

"Plato's Cave" 52 x 30 x 6 pastel and cut paper ©Anne Hughes

“Plato’s Cave” 52 x 30 x 6 pastel and cut paper ©Anne Hughes

Much of her art revolves around ideas of nature, ecosystems, wonder, and the element of surprise. “We think we’re in control. We aren’t. Life and nature are so complex,” she said. From both an environmental and global point of view, the artist is greatly inspired by variety, diversity, and interconnectedness. “As humans, we don’t necessarily know how we effect the next person and the world, but connections are everywhere.”

"Formations 2" 5 x 5.5 pastel and sequin © Anne Hughes

“Formations 2” 5 x 5.5 pastel and sequin © Anne Hughes

The artist, who has traveled throughout the United States, Canada, Europe, Indonesia and Iceland, is unsure as to whether her travels influence her art or her art makes her more inclined to roam.

"Red Formations" 7 x 7 pastel ©Anne Hughes

“Red Formations” 7 x 7 pastel ©Anne Hughes

“To me, it’s both. I don’t know what comes first, because they go hand in hand. I like being exposed to new environments, learning about different cultures.” She enjoys educational travel, and isn’t one to lie on a beach soaking up the sun. “That’s boring to me,” she said. “I’d rather walk along the beach, be in the water, and observe the environment- that’s what I find fascinating.” When asked where she would like to travel to next, Hughes laughed and said, “I’m not so choosy. I try to take advantage of whatever opportunities come my way.” She would love to visit the Sequoia National Park in California. “I saw redwood trees in Muir Woods in California, and they’re amazing. It’s just stunning. The hush of the park -so peaceful- and the fragrance, unforgettable!”

"L'Opéra" 49 x 42 x 4 Oil on Panel and Wood ©Anne Hughes

“L’Opéra” 49 x 42 x 4 Oil on Panel and Wood ©Anne Hughes

This vested interest in the world originated from Hughes’ childhood. She considers herself lucky to have been able to grow up outdoors, in all seasons, exploring the woods near her house and playing games with friends.

"The Garden" 24 5/8 x 17 3/8 Pastel ©Anne Hughes

“The Garden” 24 5/8 x 17 3/8 Pastel ©Anne Hughes

“I have always valued play. A lot of teenagers are eager to leave play behind. That is unfortunate. Valuing play is where the sense of wonder comes from in my art. I’m curious, and curiosity feeds my work.” Hughes was the type of student that really enjoyed school, every subject from literature to history, government and philosophy. She found that art was a way to tie all of her interests together. “Anything can be a direct or indirect inspirational source.”

"Mutable Sphere" 25 7/8 x 18 1/8 Pastel © Anne Hughes

“Mutable Sphere” 25 7/8 x 18 1/8 Pastel © Anne Hughes

Hughes’ work can be described as dreamlike, and she works on an intuitive wavelength. “I might start with a kernel of an idea or image, but I don’t know where I’m going to end up. I like to break out and let process take over,” she said. Working in this manner has allowed her to surprise herself and enjoy the journey of making a piece of art.

"Pull of the Moon" 30" x 23 7/8 Pastel © Anne Hughes

“Pull of the Moon” 30″ x 23 7/8 Pastel © Anne Hughes

“But working intuitively doesn’t mean that you avoid making choices or being critical. At the beginning, I allow myself more freedom. I don’t make hard and fast decisions too quickly to avoid stymieing myself.” Often, while working, she will begin to see little connections, which lead to a heightened consciousness of what the work is about. “Sometimes a title will pop into my head. When that happens, I know I’m not far from the end,” she explained. Once Hughes is beyond that point, she begins to eliminate weak areas and emphasize strengths in the work. When she does not have any particular image in mind, she sets out to simply make marks. “You just start putting color down,” she said, “and see where it leads.”

"Molotov Cocktail" 54 x 34 x 4 Oil on Panel, graphite on wood © Anne Hughes

“Molotov Cocktail” 54 x 34 x 4 Oil on Panel, graphite on wood © Anne Hughes

She gravitates towards painting on panel, because she can re-work things in ways that would be impossible to do on stretched canvas. “I rub it off, scratch into it. If I’m working with pastels on paper, I apply color, wipe it away, then add more. I attack the surface.”

"Yo-Yo" 12" x 12" Oil on Panel © Anne Hughes

“Yo-Yo” 12″ x 12″ Oil on Panel © Anne Hughes

The artist uses abstraction, realism, and stylization, sometimes all within the same piece. When painting, she uses brushes, rags, and her fingers to apply or remove paint. Several years ago, her dentist gave her some dental tools to use when sculpting with clay, but Hughes has taken to using them in painting, somewhat like a printmaker would use an etching needle- she will go into the surface of the paint with the fine point, draw into the paint, or scratch it away. As for the type of paint she uses, Hughes tends to stick to oils. Acrylics dry much more quickly, and can change color once they do so. “I’ve been more of a purist lately with oils,” she said. “I like to be able to have some working time, so that I can wipe away paint, work thinly, and add layers.”

"Dance" 6 7/8 x 6 7/8 Pastel © Anne Hughes

“Dance” 6 7/8 x 6 7/8 Pastel © Anne Hughes

When drawing with pastels, she prefers to use a small-tooth paper to avoid the texture of the paper becoming a dominant feature of the work. “I prefer to control it, to create texture rather than allow the paper to determine it,” she explained.

Installation view of some of Anne Hughes' work, currently on exhibit at ZIA|Gallery through April 18, 2015

Installation view of some of Anne Hughes’ work, currently on exhibit at ZIA|Gallery through April 18, 2015

Hughes has a surplus of ideas to work through within her artwork, so many that she could never delve into them all during her lifetime- although many of the thoughts she explores become recurring themes throughout her body of work. Having a unique artistic style allows the viewer to immediately identify the work as hers, while also unifying the collective grouping. “Once you’ve touched your core and you have a certain confidence in what you are doing,” she said, “that’s what starts to determine your individual style.”

Anne Hughes’ work is currently on display at ZIA Gallery.

News, Tidbits And Ruminations

Welcome to our blog.  I guess we are now the 63,912,719 blog in our known universe.  It’s always exciting to provide another venue of communication regarding our gallery and the art world we serve.  Art Matters.  It always did and always will.  We are passionate about the artists we represent because we too are artists in our own right.  A couple of tidbits: our Gallery Manager is a well known award winning artist.  Anne Hughes who you may have had the privilege of meeting is quite the accomplished artist.  If you have not met her, then please do stop in to do so, and see the other fabulous artists ZIA|Gallery represents. The Director of the gallery, John Vlahakis, is an accomplished fine art photographer, and his exhibition will be coming up at the end of January 2012.

We’re excited about our next show which focuses on two accomplished artists.  Photographer Julie Meridian and Painter Beverly Zawitkoski.  Julie is from Evanston, IL and Beverly is from Montreal, Canada.  Sample images of their work grace the header of our blog site.  ZIA|Gallery will sponsor an opening night exhibition of their work on November 4th from 5 to 7:30 PM.  Our opening night receptions are legendary.  We offer a catered wine event that is open to the public.  We hope you will join us for a salon evening of wine and discourse.

One of the services the gallery offers, something I may point out is not offered by other fine galleries, is our ability to provide custom framing for your art work.  We provide a range of framing services from simple to museum quality.  Please do check us out, especially during our upcoming sale on framing.  Contact the gallery for more information.  Thank you for stopping by, we hope to hear from you in the near future.

Photo Credit: John Vlahakis