Tim Liddy and Lisa A. Frank: Solo Exhibitions to See

ZIA Gallery is currently presenting exhibitions featuring works by Tim Liddy and Lisa A. Frank.

Artist Tim Liddy in front of some of his works

Artist Tim Liddy in front of some of his works

A mini-retrospective of Tim Liddy’s paintings give viewers insights into directions he pursued in the process of developing a remarkable body of work. From large-scale pieces referencing art history, society, and myth,

Tim Liddy "Damocles" 53 x 48 Mixed Media on Paper graphite, latex, image transfer on paper

Tim Liddy “Damocles” 53 x 48 Mixed Media on Paper graphite, latex, image transfer on paper

Tim arrives at his dimensional paintings of games on formed metal that are garnering attention today.

Tim Liddy "Devil's Food" 18 x 12 x 1.5 enamel, silver leaf, pigment transfer on copper

Tim Liddy “Devil’s Food” 18 x 12 x 1.5 enamel, silver leaf, pigment transfer on copper

Tim Liddy "Angel Food" 18 x 12 x 1.5 enamel, silver leaf, pigment transfer on copper

Tim Liddy “Angel Food” 18 x 12 x 1.5 enamel, silver leaf, pigment transfer on copper

Tim Liddy "Circa 1966" Oil and Enamel on Copper 13 x 19

Tim Liddy “Circa 1966” Oil and Enamel on Copper 13 x 19

 

 

 

 

 

 

 

 

 

“We’ve played games throughout the history of civilization, and play is a very important part of the human experience- whether you’re kicking a ball or engaging in more intellectual play.”

Fascination

Fascination

 

Lisa A. Frank "William Morris Overheard" 27 x 36 digital photography

Lisa A. Frank “William Morris Overheard” 27 x 36 digital photograph

Lisa A. Frank is a fine art photographer composing unique, lush images from collections of photographs of nature.

Lisa A. Frank with two of her original photographs

Lisa A. Frank with two of her original photographs

Camera ready, during walks in nature, Lisa photographs elements that help to make up the patterns and forms she digitally manipulates resulting in photographs full of romanticism and wonder. “The taking of the photos and the actual making of the work is something that I love and it feels like a truly authentic part of me.”

Lisa A. Frank "In Just Spring" 36.5 x 40 Edition of 15

Lisa A. Frank “In Just Spring” 36.5 x 40 Edition of 15

Lisa A. Frank and exhibition attendee

Lisa A. Frank and exhibition attendee

Both artists kindly traveled from a considerable distance to attend the opening reception.

Tim Liddy engages a father and daughter

Tim Liddy engages a father and daughter

Tim Liddy even came in early to meet with a father and daughter, spending more than an hour talking to them. How often does the public have a chance to meet such remarkably generous artists at their level of creative practice? Thank you.

Artist Tim Liddy greeting exhibition attendees

Artist Tim Liddy greeting exhibition attendees

Tim Liddy’s work has been exhibited at venues including Art Miami/Basel, Aqua Art Miami, Dallas Art Fair, Palm Springs Art Fair among others.

Tim Liddy "circa 1986" (Ferris) Oil and Enamel on copper 13 x 19 x 1 ½

Tim Liddy “circa 1986” (Ferris) Oil and Enamel on copper 13 x 19 x 1 ½

His works have been acquired for contemporary collections across the United States, including those of Beth DeWoody and Crystal Bridges Museum of American Art among many other private collections. As well, the Hunt family, owners of the Kansas City Chiefs, commissioned a number of Liddy’s works for the Arrowhead Stadium.

Work by Lisa A. Frank

Work by Lisa A. Frank

At the University of Wisconsin-Madison where she holds an MFA in Design Studies, Lisa A. Frank is currently part of the Discovery to Product (D2P) incubator program. With its support, she is developing virtual reality content that is based on her 2D photography.

Lisa A. Frank "Columbine-The Mystery of Five Doves" 40 x 37 digital photography

Lisa A. Frank “Columbine-The Mystery of Five Doves” 40 x 37 digital photography

Using her artwork to also enhance interdisciplinary explorations, Frank was chosen to be a Senior Research Fellow at the Beckman Institute for Advanced Science and Technology at the University of Illinois Urbana-Champaign. She was the first artist/collaborator to be given this distinction. Lisa was an Evelyn Stephansson Nef Fellow in photography at MacDowell Colony.

Tim Liddy's paintings on formed copper

Tim Liddy’s paintings on formed copper

The exhibition continues through June 10th at ZIA Gallery, 548 Chestnut St. Winnetka, IL 60093 tel. 847-446-3970.

Photographer Kimberly Schneider’s Haunting Depictions of Nature by Shannon Gallagher

New York City-based photographer Kimberly Schneider’s abstract landscapes are haunting depictions of nature left untouched by man. The desolate land and seascapes, frequently shot with infrared film, somehow transplant complex feelings of peace, stillness, melancholy, and the endurance of time into the viewer’s mind.

"Undercurrent" by Kimberly Schneider

“Undercurrent” by Kimberly Schneider

The work, for Schneider, is essentially a form of self-portraiture. She immerses herself in the environments she aims to document and employs meticulous hours in the darkroom perfecting the images. The artist connects deeply with Point Lobos State Natural Reserve and the coastal California town of Carmel, (where famed photographer Edward Weston lived and worked), and feels compelled to create as a result of her time there.

"Wave Study" by Kimberly Schneider

“Wave Study” by Kimberly Schneider

“I haven’t connected to anything the way I have with Carmel,” she said. “Since my first photography class, before I even knew that I was a landscape photographer, the plan was always to go to Carmel and make work. It all began when I took a trip to San Francisco. A friend of mine hooked me up with a stay in the Weston cabin, which was completely unexpected, and turned out to be everything I could possibly dream of. I had seen the cabin in photographs; and when I got there, I watched my dreams come to life. I just felt that I was always meant to shoot there,” she said.

"Point Lobos" by Kimberly Schneider

“Point Lobos” by Kimberly Schneider

Schneider went on to explain that much of the work is instinctual, and she tends to discover the subconscious aspects of her art while developing the images in her studio. “I shoot what I’m inspired by, but I’m not overthinking it.” When she begins to print the images, she discovers that the level of connectivity to her own life is obvious. “As I work, I realize how tied I am to my photos; there is no separation between my work and my life,” she said. “It’s sort of a zen thing. I just go with it.”

"Memory 2" by Kimberly Schneider

“Memory 2” by Kimberly Schneider

Living in New York provides the network necessary to pursue art as a career, but leaves Schneider longing for a place to escape the hurried nature of the city. “The goal is to be bi-coastal,” she said. “I’ve lived in California. I can’t be there full time, I need a big city… but I want to shoot in California. I have Pacific withdrawal right now,” she went on.

"Entanglement" by Kimberly Schneider

“Entanglement” by Kimberly Schneider

When she needs to get away from the city, but doesn’t have time to get to the West coast, Schneider visits the Brooklyn Botanical Garden, or takes the train to the Upper East Side. “I have a friend that lives by the edge of the water. There’s a walking bridge right on the water, and I’ll shoot and have fun, but I don’t take it as seriously, and I don’t often wind up printing the images. It doesn’t compare to California. I love the eroded feel of the rocks and terrain out West. It’s been a long time since I’ve been highly inspired locally. I cannot have a camera in my hand and not shoot, but in order to invest in printing something, I must feel connected to it,” she said.

Installation view of exhibition at ZIA Gallery

Installation view of exhibition at ZIA Gallery

The artist works from a custom-built, fully functional home darkroom that fits five 16×20 steel trays. “I live in New York, so it’s a very tight space. It can be challenging at times, but it works… and it’s necessary to have it at home,” she said. To get in the flow of creation, Schneider listens to loud music while working, including blues and jazz. “I’ve been listening to a lot of Judith Hill,” she continued. “I discovered her by accident, but she makes awesome printing music.”

"Whisper" by Kimberly Schneider

“Whisper” by Kimberly Schneider



As for what Schneider has planned for the future, her goals are to stay productive, continue making work, and to go back to California with a large format 4×5 camera. A photographer friend of Schneider’s gifted her a Graflex Crown Graphic that had been converted to a field camera, which she plans to use it on her next trip out West. “I’m not sure if it’ll be the end-all-be-all, because eventually I will want to use lenses that are too heavy for it, but I’m planning on making some new work with that,” she explained excitedly. “The more I print this work, the more I realize that it’s time to go large format. The next phase of this series needs the amount of detail that only a large format negative can provide. I am preparing to return to California to start the third phase of my ongoing body of work, which I hope will be the strongest I’ve made thus far,” she said.

Kimberly Schneider and some of her infrared photography

Kimberly Schneider and some of her infrared photography

Kimberly Schneider and Clyde Butcher are currently exhibiting at ZIA Gallery through June 18th, 2016. The gallery is open Tuesday – Saturday, 10 – 5 pm and by appointment.