The Inventive Expression of Jacqueline Baerwald by Shannon Gallagher

Jacqueline Baerwald describes herself mostly as a painter, but her body of work encompasses a variety of genres, including mixed media, assemblage, and sculpture. Her current work combines painting, found objects, and poetry.

Jacqueline Baerwald's "Give Them Wings" Acrylic on Books

Jacqueline Baerwald’s “Give Them Wings” Acrylic on Books

The ‘My Melondy: Issues of Adolescence’ series is conceptual, featuring the recurring image of a young girl painted on stacks of found books. The books, which are entirely thrifted, found, or gifted from friends, are carefully curated and arranged so that the titles form a found poem, which ultimately becomes an integral part of the piece.

Jacqueline Baerwald's "What Little Girls Are Made Of" 48.5 x 48.5 x 3 Acrylic on Books

Jacqueline Baerwald’s “What Little Girls Are Made Of” 48.5 x 48.5 x 3 Acrylic on Books

The work explores the issues faced by young women today, including body image, abuse, and the effects of family dissolution. “The work isn’t based on my life as much as a handful of close girlfriends who experienced rather massive trauma in their lives. The darker paintings of the Melondy series, well… I can attach a name or several names to each one of them,” she explained.

"Now I Lay Me Down To Sleep" Acrylic on Books by Jacqueline Baerwald

“Now I Lay Me Down To Sleep” Acrylic on Books by Jacqueline Baerwald

“Melondy is this sort of cartoonish character I created. I started painting her in 2011, and for a long time, I really only associated her with the average teenage girl… I only personally related to her here and there,” she said. “It’s strange, because I used to feel very different from her, but now I’m realizing that she embodies a lot about myself.”

"All That Glitters" Acrylic on Books by Jacqueline Baerwald

“All That Glitters” Acrylic on Books by Jacqueline Baerwald

Baerwald has enjoyed seeing how viewers relate to the work. “The work reflects a lot of pain,” she said, “but also hope- the idea that this isn’t the end of it.” I don’t know how comfortable I am with the word ‘activist,’ but the work is meant to instigate some sort of change. I don’t want to tell the viewer what that change is, but instead inspire them; to start a thinking process in their minds. I want art to be beautiful and interesting in technique, but also to make me stop and think about life, other people’s lives, the impact I have, and what I can do to make this world a better place, even in my small sphere of influence. At the core, that is what I’m trying to do with the ‘Melondy’ series.”

"Rock, Paper..." Acrylic on Books by Jacqueline Baerwald

“Rock, Paper…” Acrylic on Books by Jacqueline Baerwald

Prior to this series, the artist had been painting in a more realistic manner. “I want children and young people to enjoy the work as much as adults. This is the first time I’d tried something more cartoon-like, more whimsical. It’s been an interesting detour to go down this road, and [the work] seems to resonate with a lot of people,” she said. “The concept and symbolism- the ideas that I am going to convey through the imagery come first.

"You Are My Sunshine" Acrylic on Books by Jacqueline Baerwald

“You Are My Sunshine” Acrylic on Books by Jacqueline Baerwald

The work uses this cute little character that people fall in love with to address issues that they don’t want to talk about. But she draws you in, and you want to love her, and you think about how she’s experiencing a lot of pain, and decide, ‘Let’s stop brushing this under the rug.’”

"Birds of a Feather" Acrylic on books by Jacqueline Baerwald

“Birds of a Feather” Acrylic on books by Jacqueline Baerwald

Baerwald has no shortage of concepts for new work. “I have a long log of ideas. If I had more time, I’d paint all of them. I do a lot of reading on all sorts of subjects, and I have a huge interest in the human condition. I end up reading a lot of things that have scientific or religious components to them, looking at different worldviews, various societal issues and mindsets. Ultimately,” she said, “my work distills more about what is going on in the active mind, how we can monitor our own thinking, and how our actions follow.”

"Sealed Lips" Acrylic on books by Jacqueline Baerwald

“Sealed Lips” Acrylic on books by Jacqueline Baerwald

Jacqueline Baerwald’s work currently can be seen at ZIA Gallery.

In the Midst of January, Art Transports

Now that the holiday season is over, come enjoy an afternoon of art and refreshments on Saturday, January 16, 1-5pm at ZIA Gallery. Allow yourself to be sensually, emotionally and intellectually transported.

A variety of ever-changing art at ZIA Gallery.

A variety of ever-changing art at ZIA Gallery.

2016 begins with an ever-changing exhibition including works by all 25 gallery and thirteen invited artists of varying disciplines and styles.

"Shoreline" is one of Beverly Zawitkoski's new acrylic paintings on mylar.

“Shoreline” is one of Beverly Zawitkoski’s new acrylic paintings on mylar.

New paintings by Beverly Zawitkoski and photographs by John Vlahakis have been added.

John Vlahakis' "Night Noir" is one of his latest photographs.

John Vlahakis’ “Night Noir” is one of his latest photographs.

Lisa A. Frank's "These I Sing In Spring," digital photography

Lisa A. Frank’s “These I Sing In Spring,” digital photography

As admirers carry away artworks, more works arrive, ready to be discovered.  A stunning garden of delight by Lisa A. Frank goes out the door and an equally intriguing photograph comes on view.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Many visitors will be disappointed that one Mary Burke they were considering has found its home.

Mary Burke's 48" x 48"  "Uplift" on right. Original works on paper on left.

Mary Burke’s 48″ x 48″ “Uplift” on right. Original works on paper on left.

Therefore, take note, follow through with the others being circled before those, too, are gone.

The remarkable Tim Liddy who is busy with a steady stream of important commissions, has left us three power-works of trompe l’oeil, sculptural painting.

"circa 1966" is one of Tim Liddy's trompe l'oeil paintings on formed copper.

“circa 1966” is one of Tim Liddy’s trompe l’oeil paintings on formed copper.

His star continues to rise, and we congratulate him on his accomplishments.

Melissa Jay Craig’s tiny handmade paper and steel wire sculptures are disappearing fast.

Melissa Jay Craig's "Luminal (Stage Two)" miniature sculptures.

Melissa Jay Craig’s “Luminal (Stage Two)” miniature sculptures.

Their color and amusing forms stimulate the imagination, as do her other works inspired by cellular patterns of plant forms. Melissa’s (S) Edition made the best of 2015 top ten choices by My Modern Met. Instead of just seeing the work all over the online-world (the book-arts works have gone viral and re-blogged with commentary in many languages throughout the world), you can see them in actuality…remember that? Actual vs. virtual?  From plant to pulp to molded, cast and dyed sculptural form, these artworks are handmade by Melissa to go in a real space. Dare to make your space special with unique expression.

Top: Melissa Jay Craig's hand made paper forms based on cellular patterns of cut-through of stems. Below: Lisa A. Frank's stunning digital photograph "Feared Loved"

Top: Melissa Jay Craig’s hand made paper forms based on cellular patterns of cut-through of stems. Below: Lisa A. Frank’s stunning digital photograph “Feared Loved”

Master of diverse photographic processes, Ted Preuss continues to sensitively explore still life, nature and the female figure. New to the gallery is photographer Kimberly Schneider displaying intimate, romantic black and whites of nature. ZIA Gallery is pleased to announce that artist Michael Cutlip has decided to continue sharing some of his remarkable mixed media paintings and collage with the Chicago public while other works head to L.A. Jonathan Ricci has a variety of his colorful paintings, both large and small, on paper, stretched and un-stretched canvas, along with his distinctive ceramic birds. …And there are many other gallery artists’ works on display showing the eclectic processes and expressions embraced by the gallery and its artists.

Gallery artist Kathy Weaver with her gouache on paper.

Gallery artist Kathy Weaver with her gouache on paper.

The exhibition also includes thirteen invited artists.

Ceramicist: Jacqui Worden (Her bowls reflect a threesome: functional, beautiful and affordable.)

Earrings by Diana Ferguson and Ceramic Vase by Jacqui Worden.

Earrings by Diana Ferguson and Ceramic Vase by Jacqui Worden.

Chicago Fashion Designer: Alice Berry  (She’s back! And her lovely scarves and silk-screened shawls are just the ticket to spark up a winter’s day.)

Designer Alice Berry with her signature scarves and shawls.

Designer Alice Berry with her signature scarves and shawls.

Chicago muralist Anne Farley Gaines contributes an imaginative screen.

Two sided screen by Anne Farley Gaines. Opposite side not shown. See it in the gallery.

Two sided screen by Anne Farley Gaines. Opposite side not shown. See it in the gallery.

Expressionist painter Bill Klatte adds his personal flair.

Giclées by Mark McMahon (expressing city life and sports with high quality, signed reproductions.)

Jewelers: Diana Ferguson, Terry Ross, Amy Taylor and Lisa Williams -each with her own personal vision. Definitely, here is something special for every taste.

A variety of small works by Jeweler Amy Taylor, Ceramic bowls and vases by Jacqui Worden, original works on paper by Mary Burke, necklace by Diana Ferguson, Ceramic birds by Jonathan Ricci.

A variety of small works by Jeweler Amy Taylor, Ceramic bowls and vases by Jacqui Worden, original works on paper by Mary Burke, necklace by Diana Ferguson, Ceramic birds by Jonathan Ricci.

Muralist and Street Artist: Joseph “Sentrock” Perez (What a joy to meet this personable street artist with a touching and inspirational message. Don’t miss!)

Joseph Perez (Sentrock) 's work on paper "Peace Squad"

Joseph Perez (Sentrock) ‘s work on paper “Peace Squad”

Diane Rakocy in front of one of her paintings.

Diane Rakocy in front of one of her paintings.

Painter: Diane Rakocy (She brings her love of color and paint to put the vibrancy in Chicago.)

Photographer: Barry Cain captures the unexpected meeting of two lions and an enjoyment of the natural world.

Barry Cain with his photograph of lions. Ted Preuss' small figure photograph below.

Barry Cain with his photograph of lions. Ted Preuss’ small figure photograph below.

Printmaker: Michael Bond conjures mood and light through drypoint, aquatint and “etching.”

Michael Bond's "Rainy Day Michigan Ave" Drypoint and aquatint.

Michael Bond’s “Rainy Day Michigan Ave” Drypoint and aquatint.

So much to see and appreciate in this confluence of varied genres by talented artists. The exhibition is now in progress and runs through January 30th Tuesday – Saturday 10-5pm at ZIA Gallery, 548 Chestnut St. Winnetka, IL.

ZIA Gallery

ZIA Gallery

Of Marvel And Mystery: The Art of Anne Hughes

HughesMigrations36x24x1PastelAndCutandTornPaper

“Migrations” 36x24x6 Pastel on cut or torn paper © Anne Hughes

By Shannon Gallagher

Anne Hughes’ artwork embodies a sense of marvel and mystery. The viewer is left awestruck by her imaginative 2d and 3d works, which use a rich color palette and employ a variety of mark-making techniques. Hughes describes the process of working on a piece of art as meditative. “That’s what I feel when I’m absorbed in my work. I get lost in the act and watching it evolve. I lose all sense of time,” she said. “I never want to be pinned into one way of working,” she went on. “I like the idea of being able to break so-called rules, that it is possible to resolve difficulties and make something work. Challenge is enjoyable. If, in the end, I achieve a sense of wonder and mystery, of being surprised, then I am happy.”

"Plato's Cave" 52 x 30 x 6 pastel and cut paper ©Anne Hughes

“Plato’s Cave” 52 x 30 x 6 pastel and cut paper ©Anne Hughes

Much of her art revolves around ideas of nature, ecosystems, wonder, and the element of surprise. “We think we’re in control. We aren’t. Life and nature are so complex,” she said. From both an environmental and global point of view, the artist is greatly inspired by variety, diversity, and interconnectedness. “As humans, we don’t necessarily know how we effect the next person and the world, but connections are everywhere.”

"Formations 2" 5 x 5.5 pastel and sequin © Anne Hughes

“Formations 2” 5 x 5.5 pastel and sequin © Anne Hughes

The artist, who has traveled throughout the United States, Canada, Europe, Indonesia and Iceland, is unsure as to whether her travels influence her art or her art makes her more inclined to roam.

"Red Formations" 7 x 7 pastel ©Anne Hughes

“Red Formations” 7 x 7 pastel ©Anne Hughes

“To me, it’s both. I don’t know what comes first, because they go hand in hand. I like being exposed to new environments, learning about different cultures.” She enjoys educational travel, and isn’t one to lie on a beach soaking up the sun. “That’s boring to me,” she said. “I’d rather walk along the beach, be in the water, and observe the environment- that’s what I find fascinating.” When asked where she would like to travel to next, Hughes laughed and said, “I’m not so choosy. I try to take advantage of whatever opportunities come my way.” She would love to visit the Sequoia National Park in California. “I saw redwood trees in Muir Woods in California, and they’re amazing. It’s just stunning. The hush of the park -so peaceful- and the fragrance, unforgettable!”

"L'Opéra" 49 x 42 x 4 Oil on Panel and Wood ©Anne Hughes

“L’Opéra” 49 x 42 x 4 Oil on Panel and Wood ©Anne Hughes

This vested interest in the world originated from Hughes’ childhood. She considers herself lucky to have been able to grow up outdoors, in all seasons, exploring the woods near her house and playing games with friends.

"The Garden" 24 5/8 x 17 3/8 Pastel ©Anne Hughes

“The Garden” 24 5/8 x 17 3/8 Pastel ©Anne Hughes

“I have always valued play. A lot of teenagers are eager to leave play behind. That is unfortunate. Valuing play is where the sense of wonder comes from in my art. I’m curious, and curiosity feeds my work.” Hughes was the type of student that really enjoyed school, every subject from literature to history, government and philosophy. She found that art was a way to tie all of her interests together. “Anything can be a direct or indirect inspirational source.”

"Mutable Sphere" 25 7/8 x 18 1/8 Pastel © Anne Hughes

“Mutable Sphere” 25 7/8 x 18 1/8 Pastel © Anne Hughes

Hughes’ work can be described as dreamlike, and she works on an intuitive wavelength. “I might start with a kernel of an idea or image, but I don’t know where I’m going to end up. I like to break out and let process take over,” she said. Working in this manner has allowed her to surprise herself and enjoy the journey of making a piece of art.

"Pull of the Moon" 30" x 23 7/8 Pastel © Anne Hughes

“Pull of the Moon” 30″ x 23 7/8 Pastel © Anne Hughes

“But working intuitively doesn’t mean that you avoid making choices or being critical. At the beginning, I allow myself more freedom. I don’t make hard and fast decisions too quickly to avoid stymieing myself.” Often, while working, she will begin to see little connections, which lead to a heightened consciousness of what the work is about. “Sometimes a title will pop into my head. When that happens, I know I’m not far from the end,” she explained. Once Hughes is beyond that point, she begins to eliminate weak areas and emphasize strengths in the work. When she does not have any particular image in mind, she sets out to simply make marks. “You just start putting color down,” she said, “and see where it leads.”

"Molotov Cocktail" 54 x 34 x 4 Oil on Panel, graphite on wood © Anne Hughes

“Molotov Cocktail” 54 x 34 x 4 Oil on Panel, graphite on wood © Anne Hughes

She gravitates towards painting on panel, because she can re-work things in ways that would be impossible to do on stretched canvas. “I rub it off, scratch into it. If I’m working with pastels on paper, I apply color, wipe it away, then add more. I attack the surface.”

"Yo-Yo" 12" x 12" Oil on Panel © Anne Hughes

“Yo-Yo” 12″ x 12″ Oil on Panel © Anne Hughes

The artist uses abstraction, realism, and stylization, sometimes all within the same piece. When painting, she uses brushes, rags, and her fingers to apply or remove paint. Several years ago, her dentist gave her some dental tools to use when sculpting with clay, but Hughes has taken to using them in painting, somewhat like a printmaker would use an etching needle- she will go into the surface of the paint with the fine point, draw into the paint, or scratch it away. As for the type of paint she uses, Hughes tends to stick to oils. Acrylics dry much more quickly, and can change color once they do so. “I’ve been more of a purist lately with oils,” she said. “I like to be able to have some working time, so that I can wipe away paint, work thinly, and add layers.”

"Dance" 6 7/8 x 6 7/8 Pastel © Anne Hughes

“Dance” 6 7/8 x 6 7/8 Pastel © Anne Hughes

When drawing with pastels, she prefers to use a small-tooth paper to avoid the texture of the paper becoming a dominant feature of the work. “I prefer to control it, to create texture rather than allow the paper to determine it,” she explained.

Installation view of some of Anne Hughes' work, currently on exhibit at ZIA|Gallery through April 18, 2015

Installation view of some of Anne Hughes’ work, currently on exhibit at ZIA|Gallery through April 18, 2015

Hughes has a surplus of ideas to work through within her artwork, so many that she could never delve into them all during her lifetime- although many of the thoughts she explores become recurring themes throughout her body of work. Having a unique artistic style allows the viewer to immediately identify the work as hers, while also unifying the collective grouping. “Once you’ve touched your core and you have a certain confidence in what you are doing,” she said, “that’s what starts to determine your individual style.”

Anne Hughes’ work is currently on display at ZIA Gallery.

News, Tidbits And Ruminations

Welcome to our blog.  I guess we are now the 63,912,719 blog in our known universe.  It’s always exciting to provide another venue of communication regarding our gallery and the art world we serve.  Art Matters.  It always did and always will.  We are passionate about the artists we represent because we too are artists in our own right.  A couple of tidbits: our Gallery Manager is a well known award winning artist.  Anne Hughes who you may have had the privilege of meeting is quite the accomplished artist.  If you have not met her, then please do stop in to do so, and see the other fabulous artists ZIA|Gallery represents. The Director of the gallery, John Vlahakis, is an accomplished fine art photographer, and his exhibition will be coming up at the end of January 2012.

We’re excited about our next show which focuses on two accomplished artists.  Photographer Julie Meridian and Painter Beverly Zawitkoski.  Julie is from Evanston, IL and Beverly is from Montreal, Canada.  Sample images of their work grace the header of our blog site.  ZIA|Gallery will sponsor an opening night exhibition of their work on November 4th from 5 to 7:30 PM.  Our opening night receptions are legendary.  We offer a catered wine event that is open to the public.  We hope you will join us for a salon evening of wine and discourse.

One of the services the gallery offers, something I may point out is not offered by other fine galleries, is our ability to provide custom framing for your art work.  We provide a range of framing services from simple to museum quality.  Please do check us out, especially during our upcoming sale on framing.  Contact the gallery for more information.  Thank you for stopping by, we hope to hear from you in the near future.

Photo Credit: John Vlahakis